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	<title>hannahbruckmueller.com</title>
	<link>https://hannahbruckmueller.com</link>
	<description>hannahbruckmueller.com</description>
	<pubDate>Tue, 11 Jan 2022 19:54:31 +0000</pubDate>
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		<title>Index</title>
				
		<link>https://hannahbruckmueller.com/Index</link>

		<pubDate>Mon, 10 Jan 2022 15:31:56 +0000</pubDate>

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		<description>art historian, writer, and editor
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		<title>about</title>
				
		<link>https://hannahbruckmueller.com/about</link>

		<pubDate>Mon, 10 Jan 2022 15:31:57 +0000</pubDate>

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&#60;img width="3859" height="2877" width_o="3859" height_o="2877" data-src="https://freight.cargo.site/t/original/i/d4c6fca0eed93757daa8f57b736d98495cbe86a5e40c6e317ba0e830558c4e94/Bruckmller-Hannah_cropped.jpg" data-mid="183181800" border="0" alt="Foto: Stephan Wohlmuth" data-caption="Foto: Stephan Wohlmuth" src="https://freight.cargo.site/w/1000/i/d4c6fca0eed93757daa8f57b736d98495cbe86a5e40c6e317ba0e830558c4e94/Bruckmller-Hannah_cropped.jpg" /&#62;

Dr. Hannah Bruckmüller is an art historian, writer, and editor specialized in conceptual art, literature, and
publications. Her interdisciplinary research focuses on art and literature, notions of writing and reading, and draws
upon a theoretical corpus based on feminist writings and theory. 


Hannah’s research examines the thresholds of artistic
practices, text, and literature. In her monograph “Clije cli-je. gedruckt, gelesen und gedreht. Zu den Wörtern von Marcel Broodthaers” (sonderzahl 2023) she introduced a feminist reading of marginalized aspects of Broodthaers’ publishing practice. Aligning with feminist theories, the book presents a meta-reflexive approach to writing, analzying rhetorical structures,
sophistical practices, and historiographical mechanisms. Hannah’s Post-Doc project “Father Figures” 

focuses on notions of fatherhood in artistic practices of the 1960s and 1970s. 


Hannah publishes essays, reviews, and texts in international magazines and journals, such as TOHU Magazine,
Counter Signals, Platform, and Oxford Art Journal. 
Hannah speaks at conferences, contributes to festivals and symposia, gives opening speeches, interviews artists, contributes to round-tables and moderates artist-talks.&#38;nbsp;

Hannah collaborates with Noa Ginzburg and Michal B. Ron in the CatChat Collective. Drawing upon feminist theories
and art practices, “we have developed our theoretico-artistic practice to approach alphabets, texts, and translatability by attending to the abundant and queer manifolds of language.” &#38;nbsp;Hannah is an experienced editing and writing
consultant for texts, anthologies, academic writings, applications, and theses.
She has co-founded and co-edited the online magazine all-over
(2010–2019), and proof-read and edited various publications, ranging from
theses to architectural guides and the Austrian Film Gender Report (2021). More&#38;nbsp;here.

	



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		<title>projects</title>
				
		<link>https://hannahbruckmueller.com/projects</link>

		<pubDate>Tue, 11 Jan 2022 15:53:55 +0000</pubDate>

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		<title>Clije. Cli-je. gedruckt, gelesen und gedreht (monograph)</title>
				
		<link>https://hannahbruckmueller.com/Clije-Cli-je-gedruckt-gelesen-und-gedreht-monograph</link>

		<pubDate>Mon, 10 Jan 2022 15:31:59 +0000</pubDate>

		<dc:creator>hannahbruckmueller.com</dc:creator>

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		<description>
	Clije. Cli-je. &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
gedruckt, gelesen und gedreht
zu den Wörtern von Marcel Broodthaers
	Printed, read, and twisted words of Marcel Broodthaers originating from the 1960s and 1970s are the backspin of this book. “Clije. Cli-je.” opens up a new reading with an affinity for margins and explores intersections of art, art history, literature, and historiography with adding a feminist perspective to the established poet-artist narrative of Broodthaers.
My book has been published with Sonderzahl in early 2023. “Clije. Cli-je. gedruckt, gelesen und gedreht” is a completely revised version of my PhD project.&#38;nbsp;
 You can order my book here.





	&#60;img width="768" height="1186" width_o="768" height_o="1186" data-src="https://freight.cargo.site/t/original/i/a93563a816545af0964026ccf8869869f21ad494879380eb9157a14306d14f9f/Clije-Cover-Website.jpg" data-mid="166992942" border="0"  src="https://freight.cargo.site/w/768/i/a93563a816545af0964026ccf8869869f21ad494879380eb9157a14306d14f9f/Clije-Cover-Website.jpg" /&#62;

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		<title>Writing, Situated: On Constelação Clarice (exhibition review)</title>
				
		<link>https://hannahbruckmueller.com/Writing-Situated-On-Constelacao-Clarice-exhibition-review</link>

		<pubDate>Tue, 11 Jan 2022 19:54:31 +0000</pubDate>

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	Writing, Situated: On Constelação Clarice
	Exhibition Reviewpublished in TOHU Magazine, click here
English
June 2022In the group exhibition Constelação Clarice we can see, for the first time, Clarice Lispector’s writings situated within the art scene of her time. Hannah Bruckmüller reviews the exhibition that has taken place at IMS Paulista in São Paulo, where she finds the egg that is the beginning.
&#38;nbsp;

&#60;img width="8256" height="5504" width_o="8256" height_o="5504" data-src="https://freight.cargo.site/t/original/i/c2f7d82346883b068dd651c408e21f484c762ca68e911792a531725f04c84934/Fig.-8_IMS_Paulista-Constelacao-Clarice_2021_018.jpg" data-mid="146406070" border="0" alt="Constela&#38;ccedil;&#38;atilde;o Clarice, Exhibition View &#38;copy; IMS Paulista, S&#38;atilde;o Paulo Photo: Julia Thompson" data-caption="Constelação Clarice, Exhibition View © IMS Paulista, São Paulo Photo: Julia Thompson" src="https://freight.cargo.site/w/1000/i/c2f7d82346883b068dd651c408e21f484c762ca68e911792a531725f04c84934/Fig.-8_IMS_Paulista-Constelacao-Clarice_2021_018.jpg" /&#62;

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		<title>Marcel Broodthaers, Poet in the Pop Trap (article)</title>
				
		<link>https://hannahbruckmueller.com/Marcel-Broodthaers-Poet-in-the-Pop-Trap-article</link>

		<pubDate>Mon, 10 Jan 2022 15:32:01 +0000</pubDate>

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	Marcel Broodthaers, Poet in the Pop Trap. Archival Notes on an Artist’s Narrative.
	Article (peer-reviewed)


Hannah Bruckmüller, Marcel Broodthaers, Poet in the Pop Trap. Archival Notes on an Artist’s Narrative, 




Oxford Art Journal, 2021, kcab012, 
https://doi.org/10.1093/oxartj/kcab012





Abstract
Marcel Broodthaers is widely known as a major representative of the European post-war avant-garde and often named a founding father of institutional critique. In 1964, the author put his books of poetry into plaster and exhibited them as a work of art: this marks the initiation of the well-established narrative of Broodthaers’ origin, the unsuccessful poet, who turned to art. Instead of contributing to this simplified narrative, my article unfolds a more complex story of Marcel Broodthaers, the ‘grocery boy’. Close-reading archival material such as articles, invitation cards and announcements reveals Broodthaers’ participation in the competition of the Prix de la Jeune Sculpture Belge 1963 with an artwork entitled Monument Public No. 4. By examining the historical picture in detail, the canonized story starts to unfold into a plurality of narratives. My project aims to make a more complex way of knowing circulate and draws upon the theoretical framework of Avital Ronell, D. Diane Davis and Hélène Cixous’ écriture feminine. Adding archival notes to an artist’s narrative resists closing the case of the single (white male) artist and aims at destabilizing, unsettling and pluralizing the idea of the origin.&#38;nbsp;



	


&#60;img width="673" height="672" width_o="673" height_o="672" data-src="https://freight.cargo.site/t/original/i/7fcb4861a3c5f0c042a328a9faa1f334f88414cd6355fffc385e9775d0de395c/oxford-cover.png" data-mid="130034293" border="0"  src="https://freight.cargo.site/w/673/i/7fcb4861a3c5f0c042a328a9faa1f334f88414cd6355fffc385e9775d0de395c/oxford-cover.png" /&#62;

Hannah Bruckmüller, Marcel Broodthaers, Poet in the Pop Trap. Archival Notes on an Artist’s Narrative, Oxford Art Journal, 2021, kcab012, https://doi.org/10.1093/oxartj/kcab012




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		<title>From i-dentity to ur-dentity (article and review)</title>
				
		<link>https://hannahbruckmueller.com/From-i-dentity-to-ur-dentity-article-and-review</link>

		<pubDate>Tue, 11 Jan 2022 19:29:44 +0000</pubDate>

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From i-dentity to
ur-dentity. An Odyssey to Uranus with Paul B. Preciado




	Article and Book-Review
with Michal B. Ron
artistic intervention by Noa Ginzburg
published in
Counter Signals No. 4, Identity is the Crisis, Fall 2021, p. 164 - 185.&#38;nbsp;
&#38;nbsp;




	&#60;img width="1225" height="872" width_o="1225" height_o="872" data-src="https://freight.cargo.site/t/original/i/db0147b47dc8d9852fa39009eca61132981e5979a48ce5d66bb96040e929a12f/i-dentity-page-167.png" data-mid="129817646" border="0"  src="https://freight.cargo.site/w/1000/i/db0147b47dc8d9852fa39009eca61132981e5979a48ce5d66bb96040e929a12f/i-dentity-page-167.png" /&#62;

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		<title>Godesh (performative presentation)</title>
				
		<link>https://hannahbruckmueller.com/Godesh-performative-presentation</link>

		<pubDate>Mon, 10 Jan 2022 15:31:57 +0000</pubDate>

		<dc:creator>hannahbruckmueller.com</dc:creator>

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		<description>
	CatChatCollective:
Godesh as Queer Practice
	Performative Presentation
Jerusalem Contemporary Art Festival Manofimwith Michal B. Ron and Noa Ginzburg
October 28, 2021
 The confirmed reduction and the disciplining of the focus maintain the limits of discussion: a queer practice is needed to unsettle them. For that purpose, we suggest theoretical abundance: insisting on minor issues; associating distanced facts; pausing on details in the margins. Footnotes allow, as Derridaen addenda, to add more and more to the discussion.






	
&#60;img width="960" height="540" width_o="960" height_o="540" data-src="https://freight.cargo.site/t/original/i/694f0686fe2b2d2d6afbcfc6f2652d46490230752e44a2306a2ce99fae9b0cbc/Godesh-as-Queer-Practice.jpg" data-mid="129804966" border="0"  src="https://freight.cargo.site/w/960/i/694f0686fe2b2d2d6afbcfc6f2652d46490230752e44a2306a2ce99fae9b0cbc/Godesh-as-Queer-Practice.jpg" /&#62;


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		<title>M(B)R VSTS #2: Noa Ginzburg (studio visit)</title>
				
		<link>https://hannahbruckmueller.com/M-B-R-VSTS-2-Noa-Ginzburg-studio-visit</link>

		<pubDate>Tue, 11 Jan 2022 18:59:13 +0000</pubDate>

		<dc:creator>hannahbruckmueller.com</dc:creator>

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		<description>
	M(B)R VSTS #2: Noa Ginzburg with Hannah Bruckmüller


	

Studio Visit&#38;nbsp;
published in TOHU Magazine, click&#38;nbsp;here
English and Hebrew
March 2021



After their collaborative project “Cat Chat,” discussing the interview Marcel Broodthaers conducted with a cat, Michal B. Ron initiates an online studio visit at Noa Ginzburg’s studio, with Hannah Bruckmüller. They talk about the idea of Radical Coziness, domesticity, extra ocular objects, and jumping in public places.









&#60;img width="512" height="512" width_o="512" height_o="512" data-src="https://freight.cargo.site/t/original/i/96583a49e7e72d92941cb00efe95f91e355c4251025f2bf494afb185c49d3730/noajump-2020.png" data-mid="130139778" border="0" alt="Noa Ginzburg, #Noajump, October 22 2020, Tel Aviv, Israel." data-caption="Noa Ginzburg, #Noajump, October 22 2020, Tel Aviv, Israel." src="https://freight.cargo.site/w/512/i/96583a49e7e72d92941cb00efe95f91e355c4251025f2bf494afb185c49d3730/noajump-2020.png" /&#62;


	
	
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		<title>Jule Korneffel (interview)</title>
				
		<link>https://hannahbruckmueller.com/Jule-Korneffel-interview</link>

		<pubDate>Tue, 11 Jan 2022 19:35:59 +0000</pubDate>

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The Ongoing Present Moment of Making: Jule Korneffel


	Interview BOMB Magazine,&#38;nbsp;https://bombmagazine.org/articles/the-ongoing-present-moment-of-making-jule-korneffel-interviewed/published March 15, 2020



Jule Korneffel paints in order to transform direct, lived experience into poetry. Her current solo show, All that kale, at Claas Reiss in London is the German-born, Brooklyn-based artist’s first in the UK. While spending an afternoon with her at the Strand Bookstore in New York City prior to the current COVID-19 pandemic, we both decided to buy Patti Smith’s Devotion. Inspired by Smith’s writings, in the interview that follows we discuss artistic devotion, the entanglements of personal life and artistic practice, and how memories become brushstrokes.

&#38;nbsp;



	
&#60;img width="1626" height="1892" width_o="1626" height_o="1892" data-src="https://freight.cargo.site/t/original/i/b168d6ae345457a60c7974692bd8064bcb7a9f2ff2760e565ffb809f680845ce/Jule-Korneffel_still-standing-png.png" data-mid="130032849" border="0" alt="Jule Korneffel with her work: &#38;quot;Still standing&#38;quot;, 2020, 108 x 80 in. Courtesy of the artist." data-caption="Jule Korneffel with her work: &#38;quot;Still standing&#38;quot;, 2020, 108 x 80 in. Courtesy of the artist." src="https://freight.cargo.site/w/1000/i/b168d6ae345457a60c7974692bd8064bcb7a9f2ff2760e565ffb809f680845ce/Jule-Korneffel_still-standing-png.png" /&#62;






	
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